The Plight of Godlessness in Eastern and Western Literature: A Comparative Reading of Absurdity in Beckett’s Waiting for Godot and Al-Hakim’s The Tree Climber

Document Type : Research Paper

Authors

1 MA in English Language and Literature, Ferdowsi University of Mashhad, Mashhad, Iran.

2 Associate Professor, Ferdowsi University of Mashhad, Mashhad, Iran.

3 Assistant Professor, Ferdowsi University of Mashhad, Mashhad, Iran.

Abstract

This paper discusses the concept of absurdity in literature as a feature of modern human bereft of God. It compares and contrasts two cannons of the Theater of the Absurd in the West and the East, Samuel Beckett’s Waiting for Godot (1956) with Tawfiq Al-Hakim’s Ya taliʿ al-shajarah (1962) [The Tree Climber (1966)]. These plays have dramatized the absurdity of the human condition after World War II. Consequently, this paper offers an understanding of absurdity in Christian and Muslim cultures through the tenets of comparative literature. As the idea of absurdity is presented differently in various works, this article chiefly focuses on the selected plays to reveal their writers’ depiction of the absence of God. It is concluded that although The Tree Climber benefited from many characteristics of absurd literature, Al-Hakim’s views toward human existence, hope, and God convey different messages from those of Beckett’s. For Al-Hakim, hope is still found in the fertilization of a garden tree and spirituality is seen in the image of Dervish, who concludes the play with verses from the Quran. However, for Beckett, hope is impossible, characters are suicidal, and God is the never-coming God(ot).

Keywords


The Quran. 2005. Trans. by M.A.S. Abdel Haleem, Oxford University Press.
The Bible. 2018. The New Oxford Annotated Version, 3rd ed., Oxford UP.
Abdel-Daem, Mohamed Kamel. 2014. “Fantasy in Modern Egyptian Drama.” IOSR Journal of Humanities and Social Science 19, no. 2: 74-81.
Al-Hakim, Tawfiq. 1988. Ya Taliʿ Al-shajara [The Tree Climber]. Cairo: Dar Massar.
Allawi, Hameed. 2006 “Theatrical View of Tawfiq Al-Hakim.” Diss. University of Algiers.
Allen, Roger. 2000. An Introduction to Arabic Literature. Cambridge: Cambridge University Press.
Al-Najar, Muhammad Rajab. 2001. Tawfiq Al-Hakim and Popular Literature. Cairo: Al-Buhuth al Insanyyah.
Asaad, Sameia. 1989. Taʾthir al-masrah al-Faransi in Yataliʿ al-Shajara [The influence of French theater on The Tree Climber]. Cairo: Al-Estashraq.
Beckett, Samuel. 2010. Waiting for Godot. London: Faber and Faber Ltd, Bloomsbury House.
Bloom, Harold. 2008. Samuel Beckett’s Waiting for Godot. New York: Bloom’s Literary Criticism
Camus, Albert. 1955. The Myth of Sisyphus. Translated by J. O’Brien. London: Penguin Books.
Esslin, Martin. 1965. Godot and His Children in Samuel Beckett: A Collection of Critical Essays. New Jersey: Prentice Hall.
Fayad, Mona Shafik. 1986. The Impact of the Absurd on Modern Arabic Literature. Urbana, Illinois: University of Illinois.
Ghandeharion, Azra, Kadhim Al quraishi, Zohreh Taebi Noghondari, Ahamad Reza Heidarian Shahri. 2017. “When Arab Drama Redefines the French Theater of the Absurd.” In The International Conference on Current Issues of Languages, Dialects and Linguistics, 2-3 February 2017, Ahwaz, Iran.
Graver, Lawrence. 2004. Beckett, Waiting for Godot. New York: Cambridge University Press.
Hamoodi, Tasaedt. 1987. Taʾthir al-ramziyya al-gharbiyya fi Tawfiq Al-Hakim [The effect of Western symbolism in Tawfiq Al-Hakim]. Cairo: Alhadatha Egypt,
Hassib, Mohga. 2014.  Life Crisis and Existentialism in Three Dramatic Works. Diss. The American University in Cairo.
Icoz, Nursel. 1993. “Repetition and Differences in Beckett’s Works.” Samuel Beckett Today/Aujourd'hui, no. 2: 281-88.‏
Kleibo, Ali M. 1986. The Desire for Progress: A Structural Anthropological Analysis of Contemporary Arabic Knowledge as Embedded in Al-Hakim’s Oeuvres. Philadelphia: The Temple University Graduate Board.
Lucy, Yaqup. 1987. ʿUsfur al-sharq [Sparrow from the East]. Cairo: Al-Dar al-Masriyya al-Lubnaniyya.
Magaleh, Abdullah Ali. 1988. Tawfiq Al-Hakim’s Quest to Originate Arabic Drama: An Assessment of his Theoretical Endeavors. India: Indiana University Press.
Ma'loop, Lawees. 1990. The Saver in Language and Media. Beirut: Dar Almashraq.
Morales, Gabriela. 2011. The Theater of the Absurd. Diss. University of De Cuencal, Cuenca Ecuado.
Muhammad, Hayat. Jasim. 1983. Tajrubat al-masrah fi Mussur wa-l-taʾthir al-gharbi [Experience of drama in Egypt and the Western influence]. Beirut: Dar al-Adab.
Nati, Ikhlas. 2006. The Absence of Gender in all Male Plays with Reference to Beckett’s and Pinter’s Selected Works. Diss. University of Baghdad.
Roberts, James L. 1980. Waiting for Godot and other Plays. New York: Hungry Minds Inc.
Said, Aleya. 2019. An Analysis of Form and Style in the Plays of Tawfiq Al-Hakim. Diss. University of Georgia.
Scott, Alan. 2012. “A Desperate Comedy: Hope and Alienation in Samuel Beckett’s Waiting for Godot.” Educational Philosophy and Theory 45, no. 4: 448-60.
Selden, Raman. 1989. Practicing Theory and Reading Literature: An Introduction. London: Routledge.
Sidebottom, Christina M. 2007. An Introductory Survey of the Plays, Novels and Stories of Tawfiq Al-Hakim. Diss. Ohio State University.
Weagel, Deborah. 2016. “Silence in John Cage and Samuel Beckett and Waiting for Godot.” Samuel Beckett Today/Aujourd’hui 4, no. 33: 249-62.‏
Wellek, René, and Austin Warren. 1985. Theory of Literature. New York: Harcourt, Brace & World.
Withanage, Ishara Hansani. 2011. Waiting for Nothing: An Analysis of Waiting for Godot by Samuel Beckett. Reykjavík: University of Iceland.
Zeyad, Ahmed. 1979. The Impact of European Drama on two Arab Playwrights: Tawfiq Al Hakim and Kateb Yacine. Michigan: University Microfilms International.